1976: University Art Galleries, Wright State University, Dayton, Ohio [solo]
Group Exhibitions:
2019: How Chicago! Imagists, 1960’s 1970’s, Goldsmiths Center for Contemporary Art, London, England and De La Warr Pavilion, Brexhill-on-Sea, England (catalogue)
2018: “Rebels in the Middle”, Minneapolis Institute of Art, Minneapolis, Minnesota
2018: “Chicago Now”, Brooklyn, NY,
2016: “At Home” curated by Dan Nadal, Launch F18, New York,
2011: “Chicago Imagists”, Madison Museum of Contemporary Art, Madison, Wisconsin (catalogue)
2010: “Ray Yoshida and his Spheres of Influence" Sullivan Gallery, Chicago
2008: “Early Paintings” with Robert Lostutter, Corbett vs Dempsey Gallery, Chicago, Illinois
2007: “Measured Strokes Spontaneous Beasts,” Paintings by Sarah Canright and Melissa W. Miller,
Southwestern University, Georgetown, Texas
2006: “Abstract Imagists”, Corbett vs. Dempsey Gallery, Chicago, Illinois
2000: "Chicago Loop," The Whitney Museum of Art at Champion, Stamford, Connecticut
2000: "Jumpin' Backflash: Original Imagist Artwork, 1966-1969," Chicago Cultural Center, Chicago, Illinois
1971: "Chicago Antigua," Hyde Park Art Center, Chicago, Illinois
1970: "Transplant," Madison Art Center, Madison, Wisconsin
1970: "Famous Artists: Another Load," San Francisco Art Institute, San Francisco, California
1970: "Famous Artists From Chicago," Sacramento State University, Sacramento, California
1970: "Marriage Chicago Style," Hyde Park Art Center, Chicago, Illinois
1969: "Chicago's Famous Artists," Museum of Contemporary Art, Chicago, Illinois
1969: ‘Nonplussed Some: Some More," Hyde Park Art Center, Chicago, Illinois
1968: "Nonplussed Some," Hyde Park Art Center, Chicago, Illinois
"The Fiction of Image Making," by Erik Keever, November 28, 2018
Adrien Searle, “Return of Hairy Who and the Non-Plussed Some”, The Guardian, March 23, 2019
Erin Keever, The Fiction of Image Making: Sarah Canright Transcends Subject” Sightlines, November 28, 2018
Phong, Bui. “ Sarah Canright,” The Brooklyn Rail, December 2011
Freudenheim, Tom L. “A Subtle Pop,” The Wall Street Journal, October 27, 2011
Artner, Alan, “Abstract Imagists”, The Chicago Tribune, November, 2006
McCombie, Mel. "Sarah Canright," Art News, May 1987, p. 45 (illustrated)
McCombie, Mel. "Geometries of the Seraphim," Art Week, February 28, 1987, p. 3 (illustrated)
Artner, Alan. The Chicago Tribune, November 20, 1986, p. 131.
Dow-Johnson, Susan, The Trenton Times, December 1, 1985, p. DD1, (illustrated)
Cameron, Dan. Art News, May 1985, p. 185.
Storr, Robert, "Sarah Canright at Pam Adler," Art in America, February, 1985, p. 141 (illustrated)
Raynor, Vivien. The New York Times, November 23,1984, p. C17.
Carlozzi, Annette DiMeo. "New Works by Austin Artists," catalogue, Austin, TX, 1983 (illustrated)
Raynor, Vivien. The New York Times, February 4, 1983, p. C21
Westfall, Stephen. "Sarah Canright," Arts, April, 1983, p. 7 (illustrated)
Derrickson, Stephen. "Making Art on the Cultural Front Lines," Austin Chronicle, November 11,1983,
Carpenter, Gelbert F. "Art on Paper...Since 1960," catalogue, November-December 1982.
Kuspit, Donald B. "New Drawings in America," Artforum, April, 1982, p. 83
Westfall, Stephen. Review, Arts, 1981, p. 6 (illustrated)
Storr, Robert. "Sarah Canright," Arts, 1981, p. 6 (illustrated)
Yorgrau, Barry. Arts, February, 1980, p. 45
Russell, John. "Summer Group Show," The New York Times, June 20, 1980
Krainak, Paul. The New Art Examiner, Summer 1979, p. 15 (illustrated)
Frank, Peter. "To Be Young, Gifted, and Avant-Garde: III," Village Voice, July 10, 1978, p. 68.
Anderson, Alexandra. "Voice Choice," Village Voice, September 25, 1978
Olson, Roberta J.N. "Two First for NYC," Soho Weekly News, June 2, 1977, p. 19.
Adrian, Dennis. "The Seamless Paintings of Sarah Canright," Chicago Daily News, February 24, 1974
Wells, Daniel. "Artful Codgers," Chicago Tribune, April 4, 1971
Schultz, Frans. "Upset Dogma," Chicago Daily News, October 10, 1970
Haydon, Harold. "They Arrived," Chicago Sun Times, March 2, 1969
Sarah Canright studied painting at the Art Institute of Chicago. Following graduation, she resided in Chicago for six additional years and began exhibiting regularly there; first at the Hyde Park Art Center and then at the Phyllis Kind Gallery. In the early 1970s, she moved to New York and was included in the 1974 Whitney Biennial. She showed with the Pam Adler Gallery from 1978 to 1985 and also exhibited books at the Franklin Furnace. In the course of her career, she has been awarded three National Endowment for the Arts grants and one New York State Council on the Arts grant. Canright held numerous teaching positions and visiting artist appointments before coming to The University of Texas at Austin in 1982. In 1991, she was selected by students in the College of Fine Arts to receive the Teaching Excellence Award.